Abstract
This article attempts approaching new artistic manifestations that can be seen in a world colonized by mass media. It departs from the idea according to which art has not died. Then it explores, in the same direction, changes suffered by notions, such as beauty and re-presentation. In the same way, it looks for new places penetrated by the esthetic domain, and proposes an open reading that allows us to re-think the artistic manufactures of mankind in the middle of a reality in which classic standards seem to be of no use as reading keys.This journal is registered under a Creative Commons Attribution 4.0 International Public License. Thus, this work may be reproduced, distributed, and publicly shared in digital format, as long as the names of the authors and Pontificia Universidad Javeriana are acknowledged. Others are allowed to quote, adapt, transform, auto-archive, republish, and create based on this material, for any purpose (even commercial ones), provided the authorship is duly acknowledged, a link to the original work is provided, and it is specified if changes have been made. Pontificia Universidad Javeriana does not hold the rights of published works and the authors are solely responsible for the contents of their works; they keep the moral, intellectual, privacy, and publicity rights.
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