Vol. 17 No. 1 (2022): Artistic and Creative Practices: Can we Change the World?
Artistic and Creative Practices: Can we Change the World?

The call for this dossier seeks to understand the diversity of artistic and creative practices linked to social protest. Forms of mobilization on a global scale that continually show the failures of the market and the State.

Dossier

Francisca Márquez , Margarita Reyes
12-35
Third Landscape and Garden of Resistance in the Ruins After the Protests in Santiago de Chile
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Gustavo Domínguez
36-57
Anatomy of a Social Crisis and Performance as Protest ritual in Postmodernity: The Chant of the Yellow Vests.
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Julia Baker
58-73
Occupying and Deconstructing — the Symbolic Toppling of Statues of Colonizers Through the Devolta Series, by Diambe da Silva
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Nicole Cartier Barrera
74-93
Urban Traces and Absent Bodies: Visual Record of Graffiti During the Social Protests in Colombia (2020-2021)
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Pamela Jijón, Gabriela Ponce Padilla
94-109
Social Protest and the Indigenous Uprising in October 2019 in Ecuador: Analysis of a Reorganization of the Regime of Sensitivity
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Miguel Angel Palencia, Catalina Cortés Severino
110-129
Expressive Practices of Doing and Daily Life During the Social Uprising in Bogotá in 2021
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José Horacio Rosales Cueva, Beatriz Nuñez Arce
130-151
The Female Body Photographed by Female Artists
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Maria Isabel Naranjo Cano
152-171
Body and Armor: Performative Act in Times of Turmoil
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Viviana Silva Flores
172-191
Bodies, Memories, and Resistances: Artistic Practices in Chile During the State of Exception
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Ivan Pinto Veas, Maria Jose Bello
192-219
The Performative Revolt. Towards an Expanded Notion of Bodies and Images in Public Space Based on the Chilean Social Outbreak
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Camilo Escobar Pazos
220-235
Cultivating Communitarian Ecologies: Artistic Practices in Spaces of Social Struggle and Protest
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Fabián Videla Zavala
236-249
Between Performativity and Protest: Scenic Barricades in the Streets of Valparaíso
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Miguel Alfonso Bouhaben, María Paulina Soto Labbé, Carola Ureta Marín
250-277
Intertextual Explosion, Inter- Subjective Poliphony, and Countervisuality: Cooperative Artistic Practices in the Latin American Spring
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Luis Ramon Perez Valero
278-293
Political and Sound Poetics: Past, Present, and Resignification of Popular Music in the Public Uprisings in Chile in 2019
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Iconotopía

Maria Cristina Sánchez León, Juan Camilo González M
Cali movió el cuerpo
PDF (Spanish)