Vol. 18 No. 1 (2023): Art in Rurality and Rural Aesthetic Practices in Latin America
Art in Rurality and Rural Aesthetic Practices in Latin America

Reflecting on aesthetic production, art, music and the performing arts from the point of view of rurality encourages us to reconnect with the intrinsic poetics of inhabiting a territory, walking through it, navigating it, singing about it, sowing it, fighting for it, and caring for it. It has been a long-winded task to think again about life through seeds, and this farmer’s lesson is essential to imagine new possible worlds. The countryside is all living memory that contains the fight for life in a complete sense, existence through food and water that, at the same time, reveals the tension for dueñitud (ownership),[1] a term proposed by Rita Segato, who encourages us to think about it as the opposite of land sovereignty, structural inequality, and the economic system, which insists on building policies that fail to protect life.

[1] Segato, Rita. Contra-pedagogías de la crueldad. - la ed. Ciudad Autónoma de Buenos Aires: Prometeo Libros, 2018.

 

Dossier

Fabián Alberto Merchán de las Salas
12-27
The Songs of the National Association of Peasant Users and the Musical Production by the Coastal Peasants during the Agricultural Reform
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Paola Helena Acosta Sierra
28-47
Considerations on the Dramatic Arch of Kilele and Arimbato as Compared to the Factual Dramatic Arch of the Populations Living in Chocó
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Carol Andrea Ruiz Barajas
48-67
Baskets Born in the Paramo of Mamapacha and Bijagual in South-Eastern Boyacá (Colombia)
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Ingrid Sánchez Tellez
68-79
Animalness and Physiology in the Peasant Aesthetics of the Mexican Revolution
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Jhonny Alexander Muñoz Aguilera
80-109
Malice Magazine: machete fencing and its aesthetic and pedagogical practice records
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Tirso José Causillas Fonseca
110-123
The Peasant Drama Plays by Víctor Zavala Cataño: Construction of the Peasant, agency, Knowledge and Political Action
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Flor Edilma Osorio Pérez
124-143
Rural Territories in the Songs: Autobiographic Resonances
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Loreto García Saiz, Tamara Moya Jorge
144 - 163
Situated Eco-Films and Food Sovereignty: Mayans Creators and Peasant Activism in Yucatán
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Ana María Bernal Cortés, Cayo Vinicius Honorato da Silva
164-191
First Annual Exhibition of Colombian Artists: Art for the People, Art with the People or Art about the People?
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Manuel Sevilla, Andrés Fernando Osorio, Ana Isabel Márquez-Pérez
192-213
To Tell the Sea : Communication of Scientific Knowledge about Coastal and Island Communities from the Performing Arts
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
María Luz Roa
214-235
From Ethnography to Drama: Methodological Paths of A Collaborative Performance- Research with Seedbeds/as de yerba mate in Misiones (Argentina)
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)
Gustavo Domínguez Acosta
236-249
The bullerengue in Maria La Baja: Construction of a Folklorist Story
HTML Full Text (Spanish) PDF (Spanish) XML (Spanish)

Presentación de obra artística

Paula Milena Sánchez
250-262
Memorial on land
PDF (Spanish)

Iconotopía

Tejedoras De Mampuján, Yessica Chiquillo Vilardi
Fertile Memory
PDF (Spanish)