Vol. 16 No. 1 (2021): Memory and Oblivion: The Art and Reconstruction of the Subject
Memory and Oblivion: The Art and Reconstruction of the Subject

Memory as a device for decoding, storing and retrieving information through repetition can cause so much pain that it summons oblivion to re-signify, give space and discard what “does not work.” However, sometimes it sneaks in when we want to recall a memory that is fading and we manage to recover it, already distorted. Memory and oblivion operate dialectically in a machinery that helps us to constantly re-signify, reconstitute and rebuild ourselves in order to recover from suffering in the form of a gesture to be consumed by another, to be heard, read, and contemplated. Someone whose soul can reflect our own.

Dossier

Slenka Leandra Botello Gil, Daianna Sierra Camacho
14-37
Images of the Extraordinary: Memories of a Continent Populated by Monsters
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Brenda U Iglesias S.
38-59
On Memory and Oblivion in Contemporary Latin American Art: A Dialectic Montage Beyond the Visible
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Maria Emilia Sardelich, Marian López Fernandez Cao
60-83
American-African Memories in the Work of Contemporary Brazilian Artists
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Hanner Iván Sánchez de Alba
84-103
“Blood and Noise”: An Archive of Violence in the Body’s Memory
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Gustavo Domínguez Acosta
104-123
Music as a Ritual in the Traditional Festivities of the Department of Bolivar: Identity, Memory and Meanings of the Holy Week of Mompox and the Corralejas of San Juan Nepomuceno
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Ibán Martínez Cárceles
124-139
Artistic Stories: An Intersubjective Path for the Narrative and Bodily Construction of Emancipatory Identities in Compulsory Secondary Education in Catalonia
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Danny Armando Gonzalez Cueto
140-169
“Theater, yours is pure theater”: Visual Transvestite Memory in the Tropics (1984-2020)
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Nadia Imelda Moncada Sevilla, Maristela Carneiro, Rita de Cássia Domingues dos Santos
170-191
Música post-minimalista en escena: un análisis del uso de trance 4 en Closet monster
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Lina Costanza Saavedra Cajamarca
192-229
“Gesture: Memory of a Body in Darkness”
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José Vicente Gil Noé
230-249
The Memory Summoned in the City Concerts of Llorenç Barber
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Alejandro Martinez
250-271
Traces of Destruction
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Vladimir Olaya Gualteros, Andrés Felipe Urrego Salas
272-291
Space-Temporality on Political Violence in the Audiovisual Production of the National Center of Historical Memory. The Case of Mampuján: Chronicles of a Displacement
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Tatiana Cuéllar
291-319
Memories of a Dream: Visual Autobiography of a Recent Past in Colombia
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Gustavo Montes , Vicente Sanz de León
320-335
The Hidden Character: Memory, Identity, and Silence in David Cronenberg’s “A History of Violence”
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Andrés Samper Arbeláez, Luis Fernando Valencia Rueda
336-355
A Paradox, a Few Traces, and a Light: The Pains and Fears of Musicians as Silent Echoes of the Paradigms of Western Musical Tradition
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Iconotopía

Maria Natalia Ávila Leubro, Mónica Eraso
Histéricas
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